Cairn.
Paul Beaudoin + Ümlaut
In Cairn, Düngfelder’s focus on atmosphere and perception meets Beaudoin’s concern with time and memory, creating a dialogue where each sound becomes a trace left for the other to follow. What remains is a series of sonic markers, small monuments to attention, letting listeners linger on in the fragile continuations of sound.
Each piece offers a quiet architecture of concentration, inviting us to dwell within the fragile persistence of sound.
Each piece is a quiet act of attention, an instance of noticing before it dissolves into distance.
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